Abstract

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A COMPARATIVE STUDY BETWEEN THE ART OF NAQASHI KHAT IN IRAN AND THE ISLAMIC CALLIGRAPHY PAINTING IN MALAYSIA

Bibi Maliheh Seyedi, Dr.Nor Azlin Hamidon


This article is about a study of Islamic Calligraphy paintings between Iran and Malaysia, produced in the early decades of 1950’s until recent years. The main objective to make the comparison is to look into the art educational system of both countries which tells the different art scenes. The other purpose is to analyze formally on the art works of great artists of two countries; to find the similarities and differences which create art identities of both countries.